The Open Project @mac_birmingham

wewant-large‘The Open Project’ invites artists of any age and art discipline to share their work this Summer at mac. Curating the art – making decisions about how the work is selected and displayed – will be the responsibility of emerging young creatives (aged 18-24 years) through mac birmingham’s Next Generation programme. They will have the enormous task of curating four exhibitions, leading to a final ‘salon’ exhibition’ where every piece of art will be revealed. Continue reading

@ikongallery 15 years in Brindleyplace

Screen shot 2013-03-13 at 17.04.31It’s hard to recall the derelict space of Birmingham’s Brindleyplace compared to the destination it is now. Packed with offices and eateries it is home to one of the city’s favourite venues, Ikon Gallery and has become the must-visit place when aiming to impress friends from out of town. To celebrate 15 years since opening its doors to the public in its new home in Oozells Street School, Ikon presents 2 events to take you back in time and look at the history of the area. Continue reading

New Art West Midlands, 15 Feb-19 May @BM_AG & @grandunionltd

After Cecil Beaton, Grace A Williams, 2012
On the final stroke of completing a Visual Art degree, those initial steps into the arena of artistry can present somewhat of a blank canvas! And it is this area of creative concern  that has lead to the creation of New Arts West Midlands, a competitive exhibition which will feature the innovative and engaging work of regional BA, MA and PhD Art graduates from 2010-2012. Continue reading

Timur Novikov, 13 February – 21 April @ikongallery

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This week sees Ikon launch the UK’s most comprehensive collection to date of the definitive works of Russia’s arguably most evocative contemporary artist, Timur Novikov. Until the end of April, Ikon plays host to the exhibition, co-curated by his step-daughter, mapping not only Novikov’s progressive career and artistic vision from the 1980s right through to his final works in the Noughties, but also tracing him and his contemporaries’ political and artistic ideologies, alongside visible representations of his decline in health.
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